![]() The most important part is that MBLAQ are enthusiastic idols specially in musical terms. Of course that there are parts you want to hide in a way or another, but they eventuallyy show us that even though we’re hesitant about it, it can be appreciated. Jung Sokhee: As a production staff, what do you think about the idol group MBLAQ?Ĭo-Producer: I think that as entertainers, I’m grateful. Participants: Co-producer Byung Hun, MBLAQ (Seungho, G.O, Mir, Cheondung and Joon), Park Kyung Lim, Kim Sae Rum, Jun Yul and the columnist Jung Sokhee. However, now the managers are more likely to feel the burden of their profissions, we wonder what it would be their reaction, what they expect of it, we tried to listen to everyone including the production and the staffs. ![]() Chung Yul got the spot of favourite manager to work with and caused a great impression on the public. In addition there is also Miss Park Kyung Lim that made an great job on TvN’s 1997 version of ‘To respond’. ![]() ET on HBO and Crave.There is an idol group holding the center spot of attention, MBLAQ, and they have a special show where they got the opportunity to join Miss Kim SaeRom who has the role of one of their manager, but also to join Miss Jun Yul who is a member of one girl group called STELLAR. Several years ago she directed a film called She Dies Tomorrow that was an inventive, haunting and funny depiction of a woman grappling with mental illness and grief, something that - after extensive reshoots, recuts, rewriting and a significant overhaul of the cast and crew - the charlatan Levinson has not come even close to conjuring. It's sad to think that we won't get to see Seimetz's version of The Idol. But she left mid-production in April 2022, reportedly after Tesfaye was unhappy that her approach to the story leaned too much into the female perspective. He throws a whole bunch of images at us - a masturbation scene, an erotic asphyxiation scene, the protagonist's admission that she likes how her love interest is "rapey" - but there's little takeaway, other than Levinson's low-hanging desire to provoke pearl-clutchers.ġ3:17 Reviewing Episode 1 of HBO's new series The Idol Culture critics Rad Simonpillai and Sarah-Tai Black unpack the controversy surrounding the new HBO series The Idol and what it all says about the allure of toxic masculinity in TV storylines.Īmy Seimetz, the independent filmmaker behind Sun Don't Shine and The Girlfriend Experience, was at first attached to The Idol as its writer-director. But its substance-disinclined creator, Levinson, is more concerned with overstimulating his viewers than saying anything new or worthy about the pressures that women face in the public eye. Like any HBO show, The Idol has high production value and stylish cinematography. Characters don't have to be likeable (we're well into the age of the TV anti-hero, Succession and Barry being two recent examples) but the least they can be is not dull, particularly in a series that was billed to be as sexy and risqué as this one. As much as Depp brings a kind of naturalism to the role - such as her scenes with Sennott, the flustered friendployee - the character she's playing is like a paper doll, barely emoting. But if this first episode is anything to go by, The Idol fails miserably. During an era of the pop star comeback story, where many of the most famous women of the aughts are reclaiming their personal narratives over a decade after they were subjected to gruelling, misogynist public attention, The Idol is trying to satirize the current feminist-bent of female celebrity, undercutting the girl power of it all with a story of sleaziness enabled by industry and social media. As much as it's painful to admit, one can understand what Levinson et al are going for here. Pamela Anderson documentary tells a side of the actor's story the public has never heard: her own.Justin Timberlake apologizes to Britney Spears, Janet Jackson.Things start to get hairy after the rest of Jocelyn's team - assistant and best friend Leia ( Shiva Baby's Rachel Sennott), co-manager Destiny (Tony nominee Da'Vine Joy Randolph), and publicist Benjamin ( Schitt's Creek's Dan Levy) - discover that a compromising photo of her has leaked on social media, where she's been described, in graphic terms, as the object of male pleasure. ![]() The guy ends up locked in a closet, Levinson has made his contempt for intimacy co-ordinators known, and we move on. Once Jocelyn gets wind of the co-ordinator's intrusion, she speaks to her manager Chaim (Hank Azaria, doing a confusing accent) - it's her body, after all, and she can do what she wants with it. ![]() Jocelyn's shoot is interrupted when an intimacy co-ordinator steps in to remind the photographer that the singer's nudity rider restricts which parts of her body can be shown. As much as Depp brings a kind of naturalism to the role, the character she's playing is like a paper doll, barely emoting. ![]()
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